118 minutes, Comedy/Drama, M

THE DRESSMAKER is wearing some serious talent, of the haute couture style, mostly of local produce and one international import. Adapted from the debut novel of the same name by Rosalie Ham, this Australian comedy/drama is directed by Jocelyn Moorhouse (who hasn’t directed since 1997’s A THOUSAND ACRES), wife of P. J. Hogan (he’s the man who made MURIEL’S WEDDING) who contribute’s as script editor here. Set in the fictional country town Dungatar, Victoria during the 1950’s, we immediately meet Mrytle ‘Tilly’ Dunnage (Kate Winslet) who has returned home after a lengthy stay overseas. As she settles in to care for her sick Mother, Molly (Judy Davis), Tilly begins to exact revenge, by way of her superior dressmaking talent, on the locals for a wrong committed several years ago.

It’s been described as Clint Eastwood’s UNFORGIVEN, with a sewing machine by Moorhouse, and it’s a fair evaluation. This impressive film’s ability to evoke laughter out aloud surprised me. And it happens frequently too, I might add. The outstanding script, filled with witty retorts and acidic one-liners is just delicious by the husband/wife team. The many wonderful Australian actors, which includes Chris Hemsworth (a potential love interest to Tilly), Hugo Weaving (The policeman concealing a secret that will undoubtedly destroy his reputation), Sarah Snook (A local seeking a fashion makeover), Barry Otto (The local, very controlling Pharmacist) and many more evidently have a fantastic time filming their respective parts.

Structurally, some adjustments have been made book to film. Told as a continuous story here rather than four parts as in the book, some of the more dramatic elements which abruptly occur during THE DRESSMAKER may leave its audience unsure of how to feel. Yet with so many characters in action (the entire population of a small country town know how to keep a two-hour film busy!), the feeling of boredom never pays a visit. With an exquisite production, set & costume design, glorious performances including an exceptional one from Judy Davis, and a wonderfully enthusiastic vibe running throughout, THE DRESSMAKER is a darn good picture that’s just the right fit for all genders, shapes and demographics.

♥ ♥ ♥ ½

Film Trailer – The Dressmaker

Footnote to Parents
For an audience around 15 years of age and over due to some offensive language, sexual references, some themes and a brief violent scene.

Moviedoc wishes to thank Universal Pictures and The Backlot Studios for the invitation to the media screening of THE DRESSMAKER

Review by Moviedoc
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