Director / Gurinder Chadha (BEND IT LIKE BECKHAM, BRIDE & PREJUDICE, ANGUS THONGS & PERFECT SNOGGING)
Stars/ Hugh Bonneville, Gillian Anderson, Manish Dayal, Huma Qureshi and Michael Gambon

For three hundred years, Viceroy’s House in Delhi has been home to British rulers in India. But in 1947, that ruling is officially coming to its end. The historical events depicted in VICEROY’S HOUSE are close to the heart of its director Gurinder Chadha, who is also one of several writers and producers of this film. Chadha’s own family were caught up in the tragedy that unfolded.

Tasked with overseeing India’s transition to independence is Lord Mountbatten (Bonneville), great-grandson of Queen Victoria. Moving into Viceroy’s House for six months with his wife Edwina (Anderson) and daughter, violence begins to erupt between the Muslims, Hindus and Sikhs as plans to divide the country become public. Caught up in the conflict is Jeet Kumar (Dayal) a young Hindu and manservant to Mountbatten who has fallen in love with a young Muslim working at Viceroy’s House, Aalia (Qureshi).

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VICEROY’S HOUSE provides viewers with an insightful examination of the conversations that took place behind closed doors at the grand abode and an all-round understanding of the complications that followed. These sweeping and monumental changes, which led to the partition of India, had a devastating impact on its people. All of which will be told throughout this motion picture. With so much political conversation on its agenda to cover, the aforementioned fictional sub-plot has been scripted to humanise the film and to extend the dramatic impact that these changes had.

Jeet and Aalia’s romance is an acceptable and relevant addition to the films factual premise, despite its not always convincing development and taking too much of the spotlight toward the end of the film. As an entire movie, VICEROY’S HOUSE doesn’t captivate the emotions quite like it is very much capable of. It is a film to be watched rather than one to become involved in. Although it does not fulfill its own potential, VICEROY’S HOUSE is kept from any further disappointment thanks to a handful of facets that earn the film appreciation.

There is some subtext and dialogue that has been thoughtfully incorporated into the script, which is of complete relevance and serves as a message to the rapidly changing landscape of today’s world politics. The music score from Oscar-winning composer A.R. Rahman (SLUMDOG MILLIONAIRE) and some variety in visual filmmaking from Gurinder Chadha both serve the film very well indeed. And lastly, acting performances are mixed throughout VICEROY’S HOUSE, however the two strongest contributions from TV Series The X Files star Gillian Anderson and Manish Dayal (THE HUNDRED-FOOT JOURNEY) leave a lasting impression.

3 stars 

Viewer Discretion/ TBC (PG – Mild themes)

Trailer / VICEROY’S HOUSE

Moviedoc thanks Transmission Films for the invite to the screening of this film.

Review by Moviedoc / “LIKE” on Facebook – Moviedoc

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3 responses to “VICEROY’S HOUSE”

  1. […] PROMISE shares a few commonalities to the recent release VICEROY’S HOUSE. Adding a fictitious love story to tragic real-life events for similar reasons is certainly one of […]

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  2. I don’t mind fiction to compliment fact, however I did mind how much emphasis was placed on fiction here. I also didn’t find the story between Jeet and Aalia particularly involving or evenly acted. Historically though, it fares better.

    Liked by 1 person

  3. This film is a superbly produced epic about the last Raj. All history films contain a mixture of fact and fiction but this one maintains the integrity of the bigger narrative.

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