Written and Directed by Charlotte Wells
Starring Paul Mescal and Frankie Corio

Two movies that address the same topic being released just two weeks apart from each other here in Australia. On paper, it might seem too heavy to have to endure the experiences of two characters in separate films who are battling the devil that is depression. While The Son threw everything but the kitchen sink at viewers in its powerful yet gut-wrenching approach, Aftersun is polar opposite in its depiction and is only willing to hand viewers a few dirty dishes.

Upon exiting the cinema, my initial reaction to Aftersun held mixed feelings. I was more uncertain how exactly to interpret a handful of pivotal scenes and sequences than I wanted or expected to be, had a certain yet limited level of appreciation for how it dealt with its character’s depression and to be frank simply expected more from a film that’s received well-over one-hundred nominations globally. It took for unfulfilled me to complete some post-watching research to ultimately more strongly appreciate the chosen craft feature film debutant writer and director Charlotte Wells (pictured below) had adopted. 

Though challenging to entirely devote, Aftersun is a father daughter drama that requires the full investment of its viewers. A film that is always subtle, often purposefully ambiguous and can definitely be an emotionally rewarding experience for viewers who are on the same wavelength. Especially when you learn that what you’ve just seen (or in your case perhaps what you’re going to watch) is based on Charlotte Wells’ own personal experience.

Despite overplaying the subtlety card too much for my liking and not making important details clearer at the time of viewing, there is always something very absorbing about the constant exchanges of dialogue shared between father (played by Oscar-nominee ® Paul Mescal) and daughter (Frankie Corio). And their interactions with other guests staying at the resort in Turkey they are summer vacationing at. If not the content of their conversations, then perhaps it’s the fact this sun-drenched setting is a stark contrast to the stormy sensations Calum is harbouring inside. It makes you conscious of the fact that depression doesn’t care where you are or who you’re with, when it is ready to strike it will do so without mercy. 

While Oscar-nominee ® Paul Mescal is indeed very good as the father, Calum, I was seriously impressed by the performance of his younger co-star Frankie Corio, playing his 11-year-old daughter Sophie in what is a remarkable acting debut. Frankie was chosen from over 800 girls who auditioned for this role. Charlotte Wells certainly chose someone very gifted and special.

A courteous warning to those who may be sensitive to flashing lights. Aftersun does contain a handful or so of scenes dispersed throughout that contains strobe lighting effects.

Aftersun is showing in selected cinemas across Australia from February 23rd.

Moviedoc thanks Kismet and Motto Publicity for the invite to the screening of this film.

Review by Leigh for Moviedoc

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